… But that is just what makes this Fantasia so delightful to listen to; it cannot be assigned to a time or a school, but it is full of the visions which have haunted the seers of all times. From the Album Cinema Classics 2004. The premiere of the Fantasia received a generally warm welcome, with a few exceptions: Herbert Brewer, the Gloucester cathedral organist, described it as "a queer, mad work by an odd fellow from Chelsea". It has passed into the repertory of all the great orchestras of the world. [25] Howes comments that "a phrase of swaying chords" after the initial statement of the theme "acts as a kind of recurrent refrain" throughout the main body of the piece. Ursula Vaughan Williams, p. 88; Ross, p. 162; Frogley and Thomson, p. 82; and Shaw, Watkins, and John C. Phillips. The piece begins in B-flat major in 44 time, with all three groups playing together, ppp molto sostenuto. Its intense Englishness has been no bar to international understanding, whatever may have been said along those lines about other of Vaughan Williams's compositions. [26] The music switches to C major, with the time signature (but not the pulse of the music) changing rapidly, and solo viola, first heard above the orchestras and then solo in a più animato passage. There is a sudden hush, and, in Howes's analysis, "by way of coda the solo violin soars [and] the work ends on a chord of G major". [31] The Musical Times reviewer said, "It is a grave work, exhibiting power and much charm of the contemplative kind, but it appears over long for the subject-matter". [n 2] The tune is in Double Common Metre (D.C.M. Find top songs and albums by Vienna State Opera Orchestra, including Fantasia on a theme by Thomas Tallis, Fantasia On a Theme By Thomas Tallis (From "Master and Commander: The Far Side of the World") and more. The spacious and sonorous use of spread chords, the majestic cadences and extreme range of dynamics, along with the antiphony between the two string bodies (playing alternately, the one answering the other, often like an echo), the contrast with the string quartet, and the passages for solo violin and solo viola combine to create a luminous effect. [9] Tallis's tune is in the Phrygian mode, characterised by intervals of a flat second, third, sixth and seventh:[4] the pattern is reproduced by playing the white notes of the piano starting on E.[10], Tallis's theme was one of nine tunes he wrote for the Psalter of 1567 of the Archbishop of Canterbury, Matthew Parker. The other three members of the quartet join, followed by the two orchestras, now playing different parts from each other, also piu animato. This string masterpiece rose in popularity after it was used in the film Master and Commander: The Far Side of the World. Instead, our system considers things like how recent a review is and if the reviewer bought the item on Amazon. [16] The published score does not stipulate the number of players in Orchestra I; Orchestra II consists of two first violins, two seconds, two cellos and one double bass[17] The composer's metronome marking indicates a playing time of 11½ minutes,[18][n 4] but in recorded performances the duration has varied between 12m 40s (Dmitri Mitropoulos, 1958) and 18m 12s (Leonard Bernstein, 1976), with a more typical time of between 15 and 16½ minutes.[18][23]. [15] After eighteen bars the time signature changes to 34 and the music rises to an appassionato climax before a 68 section after which the two orchestras divide. The theme is by the 16th-century English composer Thomas Tallis. It was a setting of Parker's metrical version of Psalm 2, which in the King James Bible version begins, "Why do the heathen rage, and the people imagine a vain thing? The theme is by the 16th-century English composer Thomas Tallis. Composed in 1910, Fantasia on a Theme by Thomas Tallis (also known as the Tallis Fantasia) is based on a melody written by English Renaissance composer Thomas Tallis (c. 1505-1585). [2] He composed what his biographer James Day calls "unquestionably the first work by Vaughan Williams that is recognizably and unmistakably his and no one else's". Sold by Amazon.com Services LLC. Listen Now. The reviewer in The Daily Telegraph praised Vaughan Williams's mastery of string effect and added that although the work might not appeal to some because of its "seeming austerity", it was "extremely beautiful to such as have ears for the best music of all ages". Master and Commander, based on the hugely successful literary series by Patrick O' Brian, chronicles the adventures of Captain Jack Aubrey of The Royal British Navy. Vaughan Williams came across the tune while he was editing a new English hymnal, and he decided to explore the theme a little more. $1 shipping on qualified orders. [12], According to his biographer Michael Kennedy, Vaughan Williams came to associate Tallis's theme with John Bunyan's Christian allegory, The Pilgrim's Progress, a subject with which the composer had a lifelong fascination; he used the tune in 1906 in incidental music he composed for a stage version of the book. Used beautifully in the … Fantasia on a Theme by Thomas Tallis. 6 No. Select a Product. Ralph Vaughan Williams, Soundtrack: Master and Commander: The Far Side of the World. Description. Jamin Hoffman Hal Leonard Corporation 10016075E Medium. Number. June 30, 2004. Langford, Samuel. Benjamin Britten and numerous film composers (Jerry Goldsmith, etc.) Price. Thomas Tallis What Is English Peter Weir Master And Commander G Minor Film Score The Far Side Music Like World Music. The simple, elegant theme from Elizabethan church composer Thomas Tallis was later expanded and modernized by Vaughan Williams. Master and Commander: The Far Side of the World - 08 / 10 - Review of Tom Daish, submitted at 2010-09-13 01:05:27 en I'm sure films never used to have such long and drawn out titles, yet for the umpteenth time in 2003 we have a film with an long, inane and largely redundant title. Brief content visible, double tap to read full content. [33] In The Manchester Guardian, Samuel Langford wrote, "The melody is modal and antique in flavour, while the harmonies are as exotic as those of Debussy … The work marks out the composer as one who has got quite out of the ruts of the commonplace". To calculate the overall star rating and percentage breakdown by star, we don’t use a simple average. watch. 2003 will be remembered in the film community as the year in which the sea-faring epic made a grand return to the silver screen. [15], The Fantasia is scored for double string orchestra with string quartet, employing antiphony between the three contributory ensembles. Master and Commander: The Far Side of the World is a 2003 American epic period war-drama film co-written, produced and directed by Peter Weir, set in the Napoleonic Wars.The film's plot and characters are adapted from three novels in author Patrick O'Brian's Aubrey–Maturin series, which includes 20 completed novels of Jack Aubrey's naval career. Your Amazon Music account is currently associated with a different marketplace. Top subscription boxes – right to your door, © 1996-2021, Amazon.com, Inc. or its affiliates, Fantasia on a Theme by Thomas Tallis (excerpt) (Master and Commander: The Far Side of the World). Dr. Ralph Vaughan Williams was perhaps the most important English composer of the 20th Century. To enjoy Prime Music, go to Your Music Library and transfer your account to Amazon.com (US). The music moves poco a poco animando to a crescendo to fortissimo. The Fantasia was first performed at Gloucester Cathedral as part of the 1910 Three Choirs Festival, and has entered the orchestral repertoire, with frequent concert performances and recordings by conductors and orchestras of various countries. Help others learn more about this product by uploading a video! Fantasia on a Theme by Thomas Tallis. This string masterpiece rose in popularity after it was used in the film Master and Commander: The Far Side of the World. ... Fantasia was used with great effect in the 2003 film "Master and Commander: The Far Side of the World." Master and Commander: The Far Side of the World [Music from the Motion Picture] Fantasia on a Theme by Thomas Tallis, for 2 string orchestras Performed by The New Queen's Hall Orchestra. Additional taxes may apply. Fantasia on a Theme by Thomas Tallis, composed by Ralph Vaughn Williams. Level. Buy song$0.89. 8 in G Minor - Arcangelo Corelli [1:56] 8. Movie music by composer Christopher Gordon. [27] After two more changes of time signature there is a molto adagio section,[28] after which the music reverts to the original time and key.

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